Book DescriptionComposers of serial music in post-war Europe wrote almost as much about music as the music itself, but the relationship between theory and practice in the work of key figures like Stockhausen, Eimert, Pousseur and Schnebel has often been misrepresented Focusing on the controversial journal Die Reihe, this book traces serialism's огпуу cultural history, its debt to the artistic theories of Klee and Mondrian, and its relationship to contemporary developments in concrete art, poetry and information aesthetics It sketches a aesthetic theory of serialism as an experimental music.  Редактор:2005 г 280 стр ISBN 0521619920.